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Lighthouse, Poole's Centre for the Arts
21 Kingland Road, Poole, Dorset BH15 1UG
GIG STARTS AT 8PM
Tickets £15 (discounts available):
- in person via the Box Office in advance or on the night (subject to availability)
- by phone 0844 406 8444
- via Lighthouse website by following the link below
Image: Matt Wates Sextet
Matt Wates alto sax
Steve Main tenor sax
Martin Shaw trumpet
Leon Greening piano
Malcolm Creese bass
Matt Hone drums
About the Sextet
"This is quite simply the best British band in years"
Steve Voce, Gramophone Jazz
"A seriously good band containing six of Britain's finest jazz musicians, regardless of age or style"
Dave Gelly, Observer
"The future of jazz is safe with guys like this around"
Barry Witherden, BBC Music Magazine
Matt was born in London in 1964 and graduated from Berklee College in Boston USA in 1988. He’s established himself as one of the best alto sax players in the country, and has played with a multitude of top names. But his main interest has been to create and develop a band rooted in the best traditions of the small bands of the fifties and sixties.
What Matt says about his all-star Sextet:
'I've been running this band for about twelve years now. The combination of two saxes, trumpet and rhythm section is a fairly classic one in jazz and has appeared many times in the last fifty odd years. It creates a lot of possibilities for an arranger/composer.
As a writer, I am basically trying to come up with material that will be fun to play, and to create a strong mood that will communicate itself well to an audience, perhaps even a non-jazz audience. I feel my best compositions are the ones that create and sustain a mood well.
If you're going to have a band, it seems to me you've got to have original material, otherwise you just end up sounding like a lot of other groups. I also feel it's important to keep adding to the repertoire so that it doesn't get stale. I therefore feel obliged to try to keep coming up with new pieces to play. About eighty percent of our repertoire is original, and the rest consists of "standards" from the great American songbook which I have arranged for the band. The great standards have a timeless quality although I hope that our interpretations sound fresh and up-to-date.
In style, the sextet certainly resembles many of the great small bands of the 50s and 60s, such as those of Horace Silver and Art Blakey. We take inspiration from the past, but we are not trying to replicate it, merely to add in a small way to the music for which we have the deepest respect and love.
I strongly believe that jazz has to swing. To me, this is what gives the music that beautiful human quality which attracted most of us to jazz in the first place. We play some Latin American style pieces and some funky things too, but the heart and soul of the band will always be straight-ahead swing. If it isn't swinging at least some of the time, I really don't feel it's jazz.
I'm also trying to avoid some of the egotism that has beset the music since the 60s. I want a band that sounds like a band, not just a collection of soloists, and so we tend to keep the improvised solos fairly short, and punctuated with backing riffs. After all these years, the band is certainly sounding pretty tight.
In general, I am trying to put back into the music some of the things that I feel have got lost over the years : melody, swing, and the idea that a band should not be just a battleground of egos. Above all, I maintain that jazz should be fun to listen to as well as to perform.'
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